Showing posts with label screenwriting. Show all posts
Showing posts with label screenwriting. Show all posts

Wednesday, November 4, 2009

Radio Silence 2: Podcast Boogaloo

As some of you may remember, I was pretty torn up about losing 97.1 FM Talk back in February. I went through a dark time after that and I found myself listening to NPR podcasts (Car Talk, Fresh Air, and This American Life) as a way to ease the pain. When they got too NPR-y for me, I would turn on one of the music stations just to mix things up. One day, I found myself singing along to a Daughtry song. It was a bleak, bleak time for me.

Then I heard something about an Adam Carolla Podcast, and things took a turn.

Faster than anyone else at 97.1, the Aceman embraced his new place in the universe. He set up a studio in his cavernous garage and started bringing in guests, engaging in long form interviews ranging from personal masturbatory techniques to nitty gritty, let's get really real, smack-down dish sessions. He was born for this type of ranting, and the thing took off for him. I had part of my radio family back, so I started looking around for the rest of them.

Somewhere along the way, Frosty, Heidi and Frank decided to put together a little thing called Frosty, Heidi and Frank Uncensored. Free of FCC restrictions, they were all free to be themselves. Again, their blend of current events and private declarations rang true, quickly building a following. They started podcasting every day, Frosty built a studio in his home and the gang settled in for a long, destitute summer. Eventually, they landed real jobs at TalkRadio 790 KABC weekdays 9-Noon. Now they record the podcast at the ABC studios and get to be raw at the end of the day. Everybody wins.

Let's take a break for a second.

So, I spend all day driving to different medical buildings trying to make a sale. I'm in and out the car constantly, which makes listening to anything stimulating on the radio a bit of a professional gamble. If I hear something interesting, it's very tempting to stay in the car... and I don't make any money in the car. Podcasts, however, give me the best of both worlds. I get the programming I want AND I get to pause it whenever I get out of the car. This is the game that's called, "I Win."

Okay, so I have the best parts of my radio family back and I'm pretty happy with my NPR/Adam/FHFU repertoire when I start noticing people plugging their own podcasts on Twitter.

Whaaa?

Live From a Shoebox and You Look Nice Today turned out to be great little finds. You also get the added benefit of being able to follow these people and really get inside their terrifying heads.

Now I've really got the podcast bug and I decide to start rooting around iTunes. I am, at heart, a movie geek. If that's you, drop what you're doing and subscribe to Creative Screenwriting's podcast right now. Jeff Goldsmith manages to pull down some heavy hitters and he's not afraid to ask them the tough questions. If you want to hear Doug Benson talk about movies with a bunch of comedians, check out I Love Movies (just look it up). The list goes on.

I found another great podcast while listening to the This American Life podcast! Podcasts were giving birth to podcasts, and my head almost exploded. Nonetheless, you should download The Moth and listen to all kinds of people telling stories about their lives on stage. Brilliant, hilarious and touching. Just get it already.

Enough, right? There are hundreds of these things.

Here's the good news: All you have to do to listen to all of this fantastic material as you go on trips, run on the treadmill or sit in traffic on the 405 is subscribe in iTunes, sync it with your iPod of choice and let your computer do the rest.

And, oh yeah, it's all free. I'll say that again: FREE!

Remember "Pump Up the Volume" with Christian Slater? The part where he's driving around in a Jeep with a shortwave radio hooked up so the FCC can't triangulate his location and he drives down on the football field and tells everybody to steal the air? Yeah. It's happening and it's called podcasts. Check it out.

Or, go right back to your Daughtry cover of that Lady Gaga song on that computerized radio station and forget I said anything. Shame on you for knowing what I'm talking about.

Okay, fine. Shame on me too.

Tuesday, March 10, 2009

Lawn stepper.

I go to a writing group on Tuesday nights. It's an interesting mix of people from very different backgrounds and I always come away with new ideas and creative solutions. I enjoy this group a great deal and I look forward to it every week.

Tonight I left for group a little late. Generally, I try very hard not to do this as we workshop material in the order we arrive at the table. Since we all have day jobs and the group goes until ten, you're much better off going early in the night while everybody's awake. I was late, but I only saw one car on the street so I thought I was going to be able to go pretty early.

I parked the car, turned off the iPod, unplugged my phone from the charger, unbuckled my seat belt, grabbed my bag off the seat and lurched out of the car... as another car pulled up to the curb. I watched as the other group member popped out of her car and headed toward the house.

I did the math: it was going to be close.

I started speed-walking down the sidewalk, messenger bag swaying as I went. It became clear that she was going to beat me if I followed the pavement so I cut across the lawn. She made a face and said something under her breath. "Hello," I said, thinking she was greeting me.

She gave me a weird look and repeated herself. "You're a lawn stepper." Her tone indicated that I liked to pan fry infants and bathe in the blood of freshly slaughtered unicorns.

I stopped and looked down at my feet on the grass. Yep. I was stepping all over the lawn in an egregious act of walking! I wasn't sure how I was going to live with myself.

"I'm not allowed to walk on the lawn?"

"Well, it makes it hard for it to grow, to look nice."

I don't have a lawn, so I don't think of these things. The guilt hit me in waves. Obviously, I had ruined everything and there would soon be an angry mob of homeowners on the scene to bury me in Miracle Grow. I had broken a fundamental law of the universe and I would have to suffer.

I grunted, swallowed a series of snarky comments and quickly made my way across the rest of the lawn without making eye contact. She was already at the door, which meant she had won the foot race and got to workshop her material before me.

Lawn Nazi: 2
Jeff: 0

The "lawn stepping" issue followed us to the table. She brought the matter to the attention of the group and tried to make me into some kind of insensitive prick for walking across the lawn. Andy, the group leader and homeowner, smirked and said he didn't give a shit about the lawn. Turns out he used to have a nice lawn but they did some work on the house and it messed up the sprinkler system and he gave up on it long time ago. Lawn Princess tried to convince Andy he needed a gardener and the whole conversation turned into a debate about the benefits of hiring people to clean your house and take care of your yard.

I was off the hook, but I wasn't finished.

The Patron Saint of Lawns was the first out of her chair when we wrapped up. I hung back, allowing everybody to beat me to the door. I watched them file out behind her, everybody still talking about the good work we'd read. When I hit the porch I called her name, everybody turning to look at me.

I held out my arms. I didn't say anything else because I didn't have to. The three other group members walking across the lawn on the way to their cars said it all.

Friday, February 27, 2009

Victory Dance


Every time I finish a new script, I do a shot of the best whiskey I have in the house. I started this tradition with my first script and I've never missed one. I think it's important to find a way to celebrate the little victories in life. Tonight, Anthony and I turned in the first draft of our new psychological thriller and Evan Williams answered the call.

Here's hoping we all have something to celebrate this year.

Monday, February 16, 2009

Another birthday without me.

My nephew, Tyler, turned fifteen today. When I packed up a van and left Michigan, he was nine. I was there the day he was born. I was not there the day he turned ten, eleven, twelve, thirteen, fourteen or fifteen. I was represented by a gift certificate, a check, a video game or a phone call. This hurts me. I know it hurts him, too.

How do you stay in touch with a teenager who doesn't like the phone? Video games. Last summer I bought an Xbox 360 because he bought one and they come with headsets. Since then I've killed people in the worlds of Halo, Call of Duty and Grand Theft Auto just to stay in his life. My guilt is a trail of burnt, dead bodies on the internet.

(Hold on, I should take a moment and admit that I do, in fact, like video games. Always have. This Xbox thing is no great sacrifice. Let's move on.)

My niece, Hollie, doesn't mind talking on the phone but she's better at text messages and snarky Facebook comments. She just turned seventeen and she's about ready to go off to college. She was twelve when I left, she can't possibly be ready to go to college, can she?

When you move to the other side of a continent, you either hate your family or love your dreams. Ugh. "Dreams." I've grown to hate that word. It makes me think of American Idol speeches. Unfortunately, everyone else seems to love it.

"Follow your dreams!"

"Never give up on your dreams!"

"Keep true to the dreams of thy youth!"

In grade school I wanted to be a novelist. In college I wanted to be a poet and a playwright. After nine screenplays, a couple of minor options and a bigger one they wrote about in Variety, I am a screenwriter. When I moved to California I didn't know anybody and I didn't have much of a plan. I was slowly dying in Michigan because I felt like my life was secretly happening somewhere else. After five and a half years of looking, I found it in Hollywood. You know what? I love it. It has a fantastic woman in it. It has a great dog. It has a healthy bank account and no debt. The price for all of this is an empty chair at many, many birthday parties.

I've given up all these birthdays to follow my dreams and I'm not done yet. Every time one rolls around I'm reminded that I better get back to work. I better do one more rewrite, flesh out one more pitch because I'm paying for this time with every candle they blow out without me, and I'll never get them back. My only hope is that my family can understand how important this is for me, and that they don't hold all those candles against me.

Happy Birthday, Ty. I hope you have the courage to follow your own dreams, no matter what they cost you.

Wednesday, February 11, 2009

A burning question.

My mother tells me that I never asked her "Why?" like so many kids do. I find this hard to believe because I know I questioned why I had to come in when the streetlights came on, why I had to eat those revolting beets and why I had to march in yet another Tulip Time parade. She sticks to her story and insists that my question, the one that drove her crazy, was "And then what happened?" I'll provide an example for you:

"Your father and I got married and went to the Pocono Mountains for our honeymoon."

"And then what happened?"

"It rained the whole time we were there."

"And then what happened?"

"Your sister happened."

You get the idea. Every time somebody recounted their day, I provided a minefield of questions about what happened next. I had an insatiable desire to find out the rest of the story. What I remember is that there was always more. Something always happened after whatever they were trying to tell me and it was almost always more interesting than whatever they originally wanted to share.

I have carried this fascination with me into adulthood. It serves me well in the world of screenwriting, but in my personal life it has become this giant, unspeakable thing in the center of my brain, dictating every action, every thought. Tomorrow is always more interesting than today. My accomplishments are nothing compared to what I'm going to do. The people in my life are never as impressive as the people I will meet tomorrow.

This is no way to live.

This never-ending quest I've been on to find the future and to dig into consequences has left me unable to fully appreciate the moment I'm living through. I never smile about today without worrying about tomorrow.

Some days I think the best thing that could happen is that I could be diagnosed with some terminal illness and be given six months to live. Poof! The future would be gone in a string of sentences uttered by some Beverly Hills doctor. Just like that I'd be free to let the world happen around me at its own pace. Fortunately, that's not my story.

My terminal disease is life. If I live to be eighty, I'll have almost fifty years to learn to forget about tomorrow and live for today, to stop being promising and start being good and to make a life on purpose instead of holding out for some vague nothing out there on the horizon.

As a child you can be anything, so I think I just wanted to know my options. As an adult I have already been many things, and now I find my list of available options getting shorter. Every day I cross off a few more and boil me down further to find whatever lies beneath my manicured layers of artifice and ego in a blind search for what I want my life to be. I know I'm getting close to it but I can't touch it yet, can't taste it on my tongue. I took a big step by writing this and putting it out there.

And then what happened?