Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Wednesday, November 4, 2009

Radio Silence 2: Podcast Boogaloo

As some of you may remember, I was pretty torn up about losing 97.1 FM Talk back in February. I went through a dark time after that and I found myself listening to NPR podcasts (Car Talk, Fresh Air, and This American Life) as a way to ease the pain. When they got too NPR-y for me, I would turn on one of the music stations just to mix things up. One day, I found myself singing along to a Daughtry song. It was a bleak, bleak time for me.

Then I heard something about an Adam Carolla Podcast, and things took a turn.

Faster than anyone else at 97.1, the Aceman embraced his new place in the universe. He set up a studio in his cavernous garage and started bringing in guests, engaging in long form interviews ranging from personal masturbatory techniques to nitty gritty, let's get really real, smack-down dish sessions. He was born for this type of ranting, and the thing took off for him. I had part of my radio family back, so I started looking around for the rest of them.

Somewhere along the way, Frosty, Heidi and Frank decided to put together a little thing called Frosty, Heidi and Frank Uncensored. Free of FCC restrictions, they were all free to be themselves. Again, their blend of current events and private declarations rang true, quickly building a following. They started podcasting every day, Frosty built a studio in his home and the gang settled in for a long, destitute summer. Eventually, they landed real jobs at TalkRadio 790 KABC weekdays 9-Noon. Now they record the podcast at the ABC studios and get to be raw at the end of the day. Everybody wins.

Let's take a break for a second.

So, I spend all day driving to different medical buildings trying to make a sale. I'm in and out the car constantly, which makes listening to anything stimulating on the radio a bit of a professional gamble. If I hear something interesting, it's very tempting to stay in the car... and I don't make any money in the car. Podcasts, however, give me the best of both worlds. I get the programming I want AND I get to pause it whenever I get out of the car. This is the game that's called, "I Win."

Okay, so I have the best parts of my radio family back and I'm pretty happy with my NPR/Adam/FHFU repertoire when I start noticing people plugging their own podcasts on Twitter.

Whaaa?

Live From a Shoebox and You Look Nice Today turned out to be great little finds. You also get the added benefit of being able to follow these people and really get inside their terrifying heads.

Now I've really got the podcast bug and I decide to start rooting around iTunes. I am, at heart, a movie geek. If that's you, drop what you're doing and subscribe to Creative Screenwriting's podcast right now. Jeff Goldsmith manages to pull down some heavy hitters and he's not afraid to ask them the tough questions. If you want to hear Doug Benson talk about movies with a bunch of comedians, check out I Love Movies (just look it up). The list goes on.

I found another great podcast while listening to the This American Life podcast! Podcasts were giving birth to podcasts, and my head almost exploded. Nonetheless, you should download The Moth and listen to all kinds of people telling stories about their lives on stage. Brilliant, hilarious and touching. Just get it already.

Enough, right? There are hundreds of these things.

Here's the good news: All you have to do to listen to all of this fantastic material as you go on trips, run on the treadmill or sit in traffic on the 405 is subscribe in iTunes, sync it with your iPod of choice and let your computer do the rest.

And, oh yeah, it's all free. I'll say that again: FREE!

Remember "Pump Up the Volume" with Christian Slater? The part where he's driving around in a Jeep with a shortwave radio hooked up so the FCC can't triangulate his location and he drives down on the football field and tells everybody to steal the air? Yeah. It's happening and it's called podcasts. Check it out.

Or, go right back to your Daughtry cover of that Lady Gaga song on that computerized radio station and forget I said anything. Shame on you for knowing what I'm talking about.

Okay, fine. Shame on me too.

Sunday, March 15, 2009

Left turn.

My dog, Gypsy, gets three walks a day and a couple of pee breaks at night. When you're on this kind of schedule you get into a routine and you rarely deviate from it. Walk out the door, turn right. Sometimes it's around the block and sometimes it's all over the neighborhood, but it's always a right turn.

I just took her for walk number two today, and I turned LEFT for the first time.

You're probably thinking, "Slow down there, crazy man!" I know, okay? This isn't the Change we've heard so much about and it isn't going to cause any paradigm shifts... or maybe it is.

People leave the house every day thinking they have the whole thing figured out. They make the coffee, make the bed, make it to work and then make it home. Every. Day. The rhythm of it soothes some people and drives others crazy. I've fallen into both camps at different times in my life and I've been firmly planted in the former as of late. I have a good woman, a good dog, a good job and a pretty good life. It's easy to walk in the same circle every day when you have that going on.

But I didn't do that, did I? I turned LEFT!

The street looks funny when you turn left. The light hits you in a new way, the cars are all going in the other direction and all the signs show you their backs, as if they don't approve of this new wrinkle in the universe. I checked out my neighborhood again as Gypsy happily peed in a new patch of grass and I liked what I found. It was the same walk, but it was new for both of us.

You should know that I didn't just turn the doorknob and decide to go left today. I don't work like that. I respond to movies.

"Henry Poole is Here" is a Jeff movie. There are no aliens, no explosions, no robotic spiders, no ransom notes and no super powers. Because of this, most of you have probably never heard of it. It's a dramedy about a sick man (Luke Wilson) trying to live out the rest of his short life alone when one of his neighbors discovers the face of Jesus in the stucco on his house. A man without hope is surrounded by the hopeful. It's cute, charming and has a certain inspirational gravitas.

I watched this little gem and then I grabbed the leash. I stood at the gate in front of my apartment and stopped Gypsy when she tried to go right. I can't tell you why. All I can tell you is that sometimes I forget how powerful a small movie can be, and sometimes I forget that I'm supposed to be writing those movies. "Henry Poole is Here" may not bring clarity to your life, but there is a weird little movie out there that will speak to you, and I challenge you to find it.

Just so you know, you may have to deviate from your normal route.

Friday, February 27, 2009

Victory Dance


Every time I finish a new script, I do a shot of the best whiskey I have in the house. I started this tradition with my first script and I've never missed one. I think it's important to find a way to celebrate the little victories in life. Tonight, Anthony and I turned in the first draft of our new psychological thriller and Evan Williams answered the call.

Here's hoping we all have something to celebrate this year.

Monday, February 23, 2009

Best Acceptance Speech?

Mickey Rourke accepting his Best Male Lead award at the Independent Spirit Awards.

Disclaimer: NOT safe for work, children or your grandmother. I mean it. You've been warned.

Sunday, February 22, 2009

Oscar Picks


I still have not received my invitation. If I had a publicist, I would fire them.

This is who I think is going to win, not who I want to win. I'm never very good at this but here we go, short and sweet:

Best Picture: Slumdog Millionaire

Best Director: David Fincher for The Curious Case of Benjamin Button (Gus Van Sant could steal it from him.)

Best Actor: Mickey Rourke for The Wrestler

Best Actress: Kate Winslet for The Reader

Best Supporting Actor: Heath Ledger for The Dark Knight

Best Supporting Actress: Viola Davis for Doubt

Original Screenplay: Dustin Lance Black for Milk

Adapted Screenplay: Peter Morgan for Frost/Nixon